Archive | March, 2011

Beyond Goodwill and Language: Why Ecopoetics Should Embrace Policy Wonks

21 Mar

(This post is part of conversation with poet and friend Moriah Purdy. The first post can be read over at Here Now, Myriads.)

Moriah has already provided some good working definitions of ecopoetics already, so I don’t have much to add on that front. My primary interest in ecopoetics is how it intersects with policy and political activism. I welcome responses from anyone, though I’m eager to hear the thoughts of my co-blogging conversationalist.

The oft posed questions surrounding poetry and practice run something like, “Does poetry do anything? Can ecopoetics help change environmental policy for the better?” These are often rhetorical questions or placeholders for future debates that don’t materialize.  I want to try to begin addressing them, and so I’ll offer what I see as the major limitation of ecopoetics (however defined): It doesn’t help us think about the environmental problems currently facing us.

This isn’t necessarily a bad thing, especially if we’re focusing on ecopoetics as a poems themselves; poetry doesn’t pretended to offer the kinds arguments and evidence that essays or policy papers do, so it would be unfair to criticize ecopoets for not doing something they’ve never pretended to do. But much of the discussion surrounding ecopoetics seems to offer up questions without attempts to work through problems or offer potential solutions. An excerpt from Amartya Sen’s The Idea of Justice highlights my concern:

Consider another subject, which is beginning, at long last, to receive the attention it deserves, that is, the neglect and deterioration of the natural environment. It is, as is increasingly clear, a hugely serious problem and one that is closely linked with the negative effects of human behaviour, but the problem does not arise from any desire of people today to hurt those yet to be born, or even to be deliberately callous about the future generations’ interests. And yet, through lack of reasoned engagement and action, we do still fail to take adequate care of the environment around us and the sustainability of the requirements of good life. To prevent catastrophes caused by human negligence or callous obduracy, we need critical scrutiny, not just goodwill towards others.

Critical scrutiny is the key here, even though I think many ecopoets would argue that they are offering a kind of “critical scrutiny”—for example, by examining the ways we use language to talk about the environment. But I think that (much) of the critical scrutiny offered by ecopoetics is severely limited and often fails to address some of the most pressing concerns. This Tamiko Beyer post about the BP oil spill at the Kenyon Review blog is one such example¹:

I understand that to mean that the act of thinking through an ecopetics forces us to ask questions about the role and function of art/writing/etc. as we approach a critical ecological/environmental breaking point. The problems – as in the oil spill – are so huge and seemingly impossible to tackle – what use, then, poetry?

It’s a question that’s been asked before in many different contexts, but for me, it makes intuitive sense that an ecopoetics is a reasonable, appropriate, even vital response to ecological disaster. As one panelist pointed out (Iijima? Durand?) all poetry in some respect is ecopoetic: our language and language production cannot help but be influenced by and indicate the ecology that we exist in.

Given that, I want to think that we can start to reconsider our relationship with our ecology/environment by putting pressure on the language that is a manifestation of that relationship.

Though the problem is seemingly impossible to tackle, we already have a host of critical tools we can use to think about the problem: What are the environmental costs? What sort of regulation is missing? How have government regulators failed (or overreached)? What sort of legal remedies are effective/available? What kind of political action could communities muster to prevent future disasters?. It’s not that language is unimportant, it’s that the numerous disciplines that ecopoetics claims to include have spent some time thinking about these issues and these disciplines would be a great edition to the vocabulary of ecopoetics.  See, for example, Ryan Advent discussing the tension between environmentalists and the economic models which politicians and policy makers rely on to craft climate change legislation (or, as is the case with the US Congress, not make policy).

My feeling is that many ecopoets would nod along with some of these criticisms, admitting that, of course short term policy is indeed important, but that ecopoetics is playing a long game that is interested in changing the ways we think about the environment, breaking us out of status quo thinking and critical approaches (like economic models) which are too limited (or even damaging). I’m skeptical that many of these ecopoetic alternatives consider the full scope of the problem (global climate change is history’s greatest collective action problem–which problematic language game stands in the way of turning China, the US, and India into green nations?).  Which is why I’m interested to hear how others think ecopoetics can (or even shouldn’t) take into account some of the policy concerns of environmentalists and public debate.

fn.1: I don’t mean to suggest that Beyer is wholly unaware of other approaches to the oil spill besides language analysis; she says in the post that she hopes to revisit ecopoetic concerns in another post which, unfortunately, she didn’t write (only so many things you can address as a guest blogger). Perhaps she has since addressed similar concerns elsewhere.